I actually came across this painting
quite some time ago when I was momentarily infatuated with artworks from the
late 19th century. During this time period, the rise of many
different types of art styles was prevalent, including realism, impressionism, and
pictorialism. Symbolism was also a significant contributor to the characteristic
of the artworks of that era. The Death of
the Gravedigger by Carolos Schwabe utilizes the aspect of contradicting
colors, posture, and irony to portray an array of emotions intertwined with his
piece.
With just a rough scan of the scene,
the dark figure against a white background can be effortlessly seen. It can be
assumed that the author wanted to draw more attention towards the relationship
between the two characters rather than the setting. However, the environment
cannot be easily overlooked. The snow in the background may symbolize that the
winter of the gravedigger’s life has come: death. By the tension and the
position of his hands, it is revealed that the gravedigger is caught off-guard
at the presence of the dark angel. The winged figure symbolizes death, but
unlike the connotation behind death, the facial expression as well as the
beautiful pose of the dark angel exposes her calmness. Her dark wings encasing
the man enhances this serenity. Despite the uncommon technique to connect death
with angels and beauty, the author’s decision to do so speaks volumes of his
innovativeness. In addition, I thought it was very interesting how the
gravedigger is already in the grave despite his apparent aliveness. This means
that he, knowing that he will die soon, dug his own grave. The gravedigger, a
phallic figure, side a grave hole, a yonic symbol, seems to intermingle
casually in this piece which is also indicative of the author’s tendency to
integrate two unlikely things.
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