TOW #28: Relativity by M.C. Escher

            M.C. Escher is one of my favorite artists for a number of obvious reasons; his lithograph print depicting a world without the application of the normal laws of gravity is truly revolutionary. It is reminiscent of those “mind tricks” that are all over social media these days, ranging from the sticks that looks like there are either 3 or 4 of them to the passage with scrambled words but is legible due to the uniformity of the first and last letter of each word.

The three-point perspective that Escher utilizes is not that hard to figure out as there is the three vanishing point diagram of the equilateral triangle that he based his artwork off of. Due to this model, the image displays three different pictures when rotated on each side of the “triangle.” With every rotation, the lighting and shading seems to make sense as the sun is shined from above, but since the “up” is different for each rotation, the image has different areas of dark and bright lighting for each position. The strong theoretical and geometrical design, often indicative of Escher’s style, depicts harsh edges and uniformity in an already complex artwork.

TOW #27: The Gift of the Magi by O. Henry

            Although O. Henry had no allusions to which his story of “The Gift of the Magi,” it can be inferred that the couple Jim and Della lived during the 1900s in New York when money was scarce and the federal debt was on the rise. The event of the two characters unfolds as it is revealed that the married couple has not enough money to buy each other a gift for Christmas. The two then goes out to sell their most valuable belongings: Della, her hair, and Jim, his gold watch. With the money that they make from selling their possessions, they decide to buy extensions to their partner’s most valued item: Jim buys a comb for Della to brush her hair, and Della buys a gold chain for Jim’s gold watch.

O. Henry’s use of irony is implied when both Jim and Della behaved impulsively, sacrificing their most valued possessions to make one another happy. However, these two did not consider the consequences of what would happen to them or their spouse if they were to sell their treasures. The married couple only thought about “the now” and the idea of materialistic love when they already gave each other a greater gift of their sacrificial love. The moral of the story of “The Gift of the Magi” is that their love for each other cannot be bought with money and is worth more than any material possessions. The Magi that O. Henry alludes to is from the Bible, in which refers to the story of the three wise men who brought presents to baby Jesus: gold, frankincense, and myrrh. 

TOW #26: A Room of One’s Own by Virginia Woolf

            Born in 1882, Virginia Woolf lived spent most of her years during a time when gender discrimination was considered a norm. In 1928, Woolf was invited to deliver lectures at the two only women’s colleges at Cambridge, Newnham College and Girton College. These speeches later developed and edited into A Room of One’s Own, revolcing around the topic of Women and Fiction. Woolf’s sphere of influence not only affected those who listened or read the lectures mentioned in her book but also impacted both men and women of the role that gender plays in literary achievement.

            She begins by stating her these that “a woman must have money and a room of her own if she is to write fiction” (Woolf 4). She hopes to extend her comments and opinions to the unanswered questions that many have not seen be uncovered. Woolf describes a meal that her character had at “Fernham,” a made-up institution of the women’s college meant to generalize her story. She compares her meal to the one she had at a luncheon party the other day, saying “the lamp in the spine does not light on beef and prunes” (Woolf 18). She senses that with reduced privilege due to the fact that this dinner was meant to serve women in an academic institution comes a corresponding feeling of inferiority. As the conversation is more described as gossipy rather than profound, the narrator leaves and begins small talk with her friend Mary Seton. They become intrigued in their discussion of the founding of their women’s college, which they recall the discouraging effort to raise enough financial and political support. When comparing the founding of male universities, you can see a sharp contrast as male academic institutions have been supported generously since the beginning of its history.

            Woolf’s medium of fiction rather than an autobiographic story emphasizes the relationship between truth and fiction, as she quotes that “fiction is likely to contain more truth than fact. Lies will flow from my lips, but there may be some truth mixed up with them” (Woolf 4).

IRB #4: A Room of One's Own by Virginia Woolf

            Earlier in the school year, I read Virginia Woolf’s “Professions for Women” speech, and ever since my encounter with her intellect as a fellow feminist, I have grown to admire her motives behind her writing. Due to this recent interest, I reached out to one of her books, A Room of One’s Own. Woolf specifies the struggles that women faces in the field of literature and writing fiction. Her primary thesis is that “a woman must have money and a room of her own if she is to write fiction.” I look forward to how Woolf is going to structure this piece considering that she is also an author in the book-writing business.

TOW #25: The Cask of Amontillado by Edgar Allen Poe

            Written in the mid-19^th century, The Cask of Amontillado is one of Edgar Allen Poe’s most well-known short stories. His gothic style reminisces the dark childhood that he had, which is clearly depicted in this chilling short story. The Cask of Amontillado begins with the narrator, Montresor, stating his hatred towards his acquaintance, Fortunado. Wanting to get revenge from humiliation that Fortunado had induced, Montresor tricks his friend into a wine dungeon, asking him to taste the expensive Amontillado wine. Once the two of them had reached the end of the cellar, Montresor chains Fortunado to a stone. Fortunado, dizzy from the wine, was not able to fend for himself, falling right into his captor’s hands. Montresor then leaves the catacombs, concluding with the Latin phrase “May he rest in peace.”

            Poe’s use of symbolism and color is essential to understanding the character’s true feelings. Montresor’s face veiled with a black mask symbolizes his hatred and desire for revenge towards Fortunado. In addition, Fortunado’s jester costume represents his gullible and foolish behaviors, eventually fooled by his own friend’s ploy. It is mentioned that as the two “frenemies” venture deeper into the catacombs, they could see “the bones of the dead lying in large piles along the walls” (Poe 70). This could be seen as a hint as to the impending event that ensues between Montresor and Fortunado.

TOW #24: The Prince by Machiavelli

            **I totally forgot that the independent reading was supposed to be nonfiction! So instead of continuing on the second portion of the Westing Game by Ellen Raskin, I decided to completely change the book to The Prince by Machiavelli.

            A political theorist and diplomat in the 16^th century, Niccolò Machiavelli wrote The Prince in Italy during a time when the nation became the scene of intense political conflict. Composed as a guide for rulers on the basics and understandings on how to govern, he dedicated The Prince to the ruler of Florence, Lorenzo de’ Medici. His underlying purpose on this dedication was to win the favor of Lorenzo as he hoped to land an advisory position within the Forentine government. The straightforward tone of the piece laid a stable foundation for the validation of his advices.

When Machiavelli released The Prince in 1532, he received several criticisms and was not as recognized as he is today. As the word of the book spread, Machiavelli’s piece began to be criticized as immoral, evil, and wicked. Some of the critiques included the objection of the Catholics as they interpreted the piece as an attack against the church as Machiavelli degraded the church’s power. The main factor that drove the church to denounce The Prince was Machiavelli’s dislike of strong power of the Catholic church. Many authors, including Machiavelli, lived in a world where Christianity became filled with undesirable religious outlook, causing many to object and dislike the Christianity. This caused Machiavelli to set an anti-Christianity view. His belief established tone of attack toward the church, making the church to set the idea that Machiavelli was indeed attacking the church.

Besides Machiavelli’s tone, the result of weakened Italy was due to the rise of the power for the church. Machiavelli advised that the increasing power of the church brought separation and frail nation, “when in these later times the Imperial control began to be rejected by Italy, and the temporal power of the Pope to be more thought of, Italy suddenly split up into a number of separate States…Hence Italy, having passed almost entirely into the hands of the Church…began to take foreigners into her pay (Machiavelli 96). Machiavelli previously favored princes to rule their nation as nationalized country. But bringing foreigners to one’s nation will, in Machiavelli’s perspective, allowed decline of the country since there was no loyalty existing among the civilians. Not only that, a split nation also causes a nation to be vulnerable against other nations, where there would not be coherent decisions made. When the church took power of Italy, the church divided the nation instead of joining together. Machiavelli, then, indirectly suggested that huge power of the church will only bring destruction toward nations, and in conclusion, princes should not offer such ordeal amount of powers to the church.

Machiavelli’s writing brought great shock toward religious society. People of the church saw his work as an attack, and the mass of believers believed that he was sinful and immoral. It was evident that his work revealed his notion of degrading the church and going against the Catholic moral conducts. People now read this piece academically, but back then, reading this book without any religious pious was difficult.

TOW #23: The Necklace by Guy de Maupassant

            Written in the late 1800s of France, a time period often called “Belle Époque” (Lovely Age/Grand Years), “The Necklace” by Guy de Maupassant explores the human tendency to desire much more than one could afford. This short story specifically revolves around an attractive yet dissatisfied young woman named Mathilde Loisel, who longs for a better change of fate. Mathilde deplores her poverty while her modest husband, Monsieur Loisel, expresses his pleasure at the little things in life. This contrast between the two characters foreshadows the impending conflict.

            Mathilde flaunts extraordinary beauty regardless of her unsatisfying financial status. She is “pretty and charming,” however her life as a wife of a lowly clerk in the Ministry of Education leaves more to be desired. Although she is very aware of her husband’s economic situation, she begs for a large sum of money to buy formalwear for a grand party they’ve both been invited to. As selfless as he is, Monsieur speaks no more and hands over the hard-earned money. Despite this, she craves more, reaching out to her wealthy friend to lend her diamond necklace. This greed eventually results in a tragic mistake: Mathilde loses the luxurious jewels on the way home from the ball. Again, although it was solely Mathilde’s fault, Monsieur searches high and low for the necklace that his wife lost. When they realize that they can never find the necklace, they attempt to buy a similar necklace of the same value, beginning to live a life of crippling poverty. Without complaining, Monsieur faces the dark future that his wife had induced, displaying his unchanging love for Mathilde. They then spend ten years of hardship to pay off their financial debt, Mathilde losing her youthful beauty in the process. She wonders, “What would have happened if she had never lost those jewels? Who knows? Who knows? How strange life is, how fickle! How little is needed to ruin or to save!” Despite the life of struggles that she had commenced for both she and her husband, Mathilde fails to learn from her mistakes. She should be regretting her greed and desire to borrow the jewels in the first place instead of asking herself what would have happened if she hadn’t lost them. Life is not fickle; it is Mathilde who made life seem fickle. At the end, she meets her friend, Madame Forestier, whom she had lost the jewels from. Mathilde learns that the diamond necklace that she had lost was not worth anything; she and her husband spent ten years of their life replacing a necklace that was only fraction of what they paid off. 

TOW #22: The Lottery by Shirley Jackson

            If I do recall correctly, the last time I read “The Lottery” By Shirley Jackson was in middle school. Back then, I remember that this short story made a lasting impression on the thirteen-year-old me. Even from the title, the plot line is inferred to be positive. This remains true until the climax builds up and tension rises. Then, the rising action comes crashing down, leading its string of unfortunate events. Then, I came to a realization that the unexpected conclusion was actually hinted at all along.

            The introduction of this piece begins in a very light tone, narrating that the morning of the lottery was “clear and sunny, with the fresh warmth of a full-summer day; the flowers were blossoming profusely and the grass was richly green.” In the midst of the positive mood, a strange act occurs with the children. The narration continues, including the detail that “Bobby Martin had already stuffed his pockets full of stones” and “made a great pile of stones in one corner of the square and guarded it against the raids of the other boys.” The initial thought of this behavior is taken lightly as it is merely seen as “kids play” However, as the tension rises and the situation becomes more serious, the reader begins to sense the pending severity of the event. Then, when the lottery is chosen, “the children had stones already” and “they were upon” Mrs. Hutchinson, the unfortunate lottery “winner.” The gradual shift of mood and event is indicative of Jackson’s style in her short story, which enhances the unexpectedness and adds an element of surprise. 

TOW #21: The Death of the Gravedigger by Carlos Schwabe

            I actually came across this painting quite some time ago when I was momentarily infatuated with artworks from the late 19^th century. During this time period, the rise of many different types of art styles was prevalent, including realism, impressionism, and pictorialism. Symbolism was also a significant contributor to the characteristic of the artworks of that era. The Death of the Gravedigger by Carolos Schwabe utilizes the aspect of contradicting colors, posture, and irony to portray an array of emotions intertwined with his piece.

            With just a rough scan of the scene, the dark figure against a white background can be effortlessly seen. It can be assumed that the author wanted to draw more attention towards the relationship between the two characters rather than the setting. However, the environment cannot be easily overlooked. The snow in the background may symbolize that the winter of the gravedigger’s life has come: death. By the tension and the position of his hands, it is revealed that the gravedigger is caught off-guard at the presence of the dark angel. The winged figure symbolizes death, but unlike the connotation behind death, the facial expression as well as the beautiful pose of the dark angel exposes her calmness. Her dark wings encasing the man enhances this serenity. Despite the uncommon technique to connect death with angels and beauty, the author’s decision to do so speaks volumes of his innovativeness. In addition, I thought it was very interesting how the gravedigger is already in the grave despite his apparent aliveness. This means that he, knowing that he will die soon, dug his own grave. The gravedigger, a phallic figure, side a grave hole, a yonic symbol, seems to intermingle casually in this piece which is also indicative of the author’s tendency to integrate two unlikely things. 

TOW #20: Harrison Bergeron by Kurt Vonnegut

            Intrigued due to my previous knowledge of Kurt Vonnegut’s Slaughterhouse Five, his earlier work “Harrison Bergeron” naturally became my next victim of analysis. When I read the brief summary of this piece, I was immediately drawn towards the characters and the dystopian setting they were put under. Taking place in the year 2081, society is now obligated to be exactly equal; one must wear weights to counteract their good strength, wear grotesque masks to cover their good looks, and attempt to change their voice to disguise their appealing voices in order to level out their talents to the average public. This concept was a possibility that I never concerned myself with which ultimately drew my interest in the short story.

Handicapped Ballerina

            The theme present in the plot is that absolute equality is not an ideal worth sacrificing individual rights for. To execute this unjust and unreasonable utopia, the government ran by the Handicapper General tortures its citizens. Although as a reader, this concept would seem outrageous, but for the public who has endured such laws for a good amount of time, the insistence of total equality has seeped and internalized within them. Others who are unsatisfied with the struggles they have to bear can neither complain nor make a change in fear of the return of the “dark ages,” filled with competition and inequality. In this setting, Harrison Bergeron symbolizes bravery and resistance to injustice. He signifies revolution and defiance that still exists in the American public. He displays none of the cowardice and passivity that most have given into. Although his rebellion is admirable, he is assassinated by Diana Moon Glampers, the Handicapper General. The murder of individuality and healthy competition is symbolized in the last scene of Vonnegut’s “Harrison Bergeron.”

TOW #19: To Build a Fire by Jack London

            Jack London is one of my favorite novelist, first captivating my interest through his novel, White Fang. 19^th century American author and journalist Jack London was who came to mind when pondering about what short story to analyze. After looking through some of his works, I came across a short 16-page story, “To Build a Fire.” In short, the naturalist short story focuses on a traveling man and his husky in the Yukon who has planned to meet his friends later on in the evening. While reading, the character development and the transition from confidence to frantic fear grasped by attention throughout the story.

            At first when he begins his journey on an extremely cold morning, the man exerted great confidence and certainty that he would be able to cross the snowy tundra without a companion. Although he was warned by an old man of Sulphur Creek that “no man should travel alone in that country after 50 below zero,” but he had underestimated the harsh conditions of the environment, calling the other travelers “womanish.” However, when the man fails to create a fire, symbolizing life, multiple times, he begins to panic. As he loses control, he considers killing his wolf-dog to gain warmth from the fresh blood. The transition from calm boldness to hysteria is depicted clearly through the man’s changing behavior and actions. The fire in the plot symbolizes life and survival, drawing the conflict between man versus nature and the need for fire to make that victory. In the end (spoiler alert!), as the man had continuously failed at his attempts to create fire, he had perished in the snow.

TOW #18: The Westing Game by Ellen Raskin

Although I have read The Westing Game by Ellen Raskin previously, I was only in the fifth grade at the time. Despite my faded memory of the plot, I recall good memories of being read this book. From what I remember, this is a mystery novel, following the lives of sixteen people who are all tenants in the Sunset Towers. If I do recall correctly, there is a will to be shared; the catch is that the pair who solves the mystery (I don’t remember) inherits the entire fortune.

            Ellen Raskin’s The Westing Game is unlike any other book that I have read. As I am not an ardent fan in the realm of mystery novels, I have very rudimentary knowledge on the genre. However, the unexpected aspect of the plot keeps me on my toes, anxious to continue. So far in The Westing Game, only the development of the setting and character’s background has been introduced. Although it is a short novel, keeping up with the lives of sixteen tenants is not as hard as I has expected, thanks to Raskin’s detailed characterization of each member. Everyone’s identity is distinct which makes the story even the more interesting as you get to see how each character contributes to the story as a whole. In addition, identity plays a significant role is the plot as through the Westing game, each character is establishing their own identities. Through the durance of the game, they begin to redefine themselves and realize their true “identity.” The message behind this story so far is probably to figure out who they really are. 

IRB Post #3: The Westing Game by Ellen Raskin

For this cycle, I will be reading The Westing Game by Ellen Raskin. I hope to achieve a deeper insight into this novel as the first and last time that I have read this was when I was in the fifth grade. Since this is labeled as a classic, I was immediately drawn towards it despite by unfamiliarity of the mystery genre.

TOW #17: Starry Night by Vincent Van Gogh

            When asking an individual to name one painting they know, most likely than not, Starry Night will be mentioned. As much as Van Gogh’s works are considered masterpieces of this day, the constant glorification of the subject sometimes runs down its magnitude. After having seen Van Gogh’s Starry Night numerous times without giving much thought into it, I’ve encountered an interest in discovering what the meanings behind some of the world’s most famous works of art.

            During his time of existence and career, the Dutch artist Vincent Van Gogh was not hailed for his artistic techniques, undermining his style and calling it “sloppy, crude and childish.” The critics who were more accustomed to photographic landscapes and portraits of the time did not appreciate the surrealism that Van Gogh emanated. He was therefore isolated from the general public, which his feelings of loneliness could be portrayed through the contrast of dark and light colors of his painting. The big brushstrokes could signify his desire to continue being bold with his style, endeavoring to convince himself that he is more confident than he actually is.

            Although this may be stretching a bit, the eleven stars on Van Gogh’s Starry Night could signify Joseph’s dream of the eleven stars in the Bible. In the biblical account of Joseph, the dreamer, the boy was also isolated from his own family and sold into slavery by the abandonment of eleven of his jealous older brothers. Similar to how Joseph showed constant efforts to receive acceptance from his siblings, Van Gogh also displayed his determined endeavor towards being respected as an artist but had failed to receive recognition of the time period’s art critics.

TOW #16: The Death of the Hired Man by Robert Frost

            As I’ve always been a poem fanatic, I am fully aware of the highly regard American poet Robert Frost. Growing up, I’ve enjoyed reading his works from time to time, but as I was still young, I did not fully grasp the meaning behind his words. After fostering the ability to analyze and interpret texts, I believe that I am all the more competent to delve deeper into Frost’s purpose in his short story, “The Death of a Hired Man.” In this work, Frost outlines the themes of duty and hard work.

            The story begins with a husband (Warren) coming home from work. He is immediately greeted by his concerned wife (Mary), notifying him of the return of their ex-farmhand, Silas. Silas, too old and weak to work, came back to fulfill his obligation and duty that he promised to Warren. However, feeling betrayed by Silas multiple times as he (Silas) left Warren during the peaks of harvest, leaving him alone when he needed someone the most. After some time of Mary convincing Warren to be kind and go see Silas of his condition, he discovers that Silas has died.

            In the text, themes of isolation and reputation serves as a backdrop, enhancing the core meaning of Frost’s work. Silas, wanting to make things right, returns to fulfill his contract with Warren before he dies. He seems to want an honorable death, surrounded by those he sees as family. However, although he came back to his “home,” Silas passes away alone. When Warren went to tend to Silas and his condition, he comes back sooner than expected, notifying Mary that Silas had died with one word, “Dead.”

            Despite Silas’s bad reputation, Mary displays kindness, reminding Warren to “Be kind.” Mary serves as a mother-figure, a symbol of love and nurture for anyone regardless of their past experiences or background. In Biblical references, Mary embodies the mother of humanity or Christ, insisting that man must be loved and cared, for he is dying.

The lasting effect of this timeless poem serves to teach the audience of reputation and the effort of relaying kindness to everyone. 

TOW #15: ¡Rape Trump! By Indecline

            During social unrest and political chaos of the 2016 Presidential Election, an explicit depiction of the then-Republican candidate Donald Trump was drawn on one of the Mexican borders, Tijuana; Wedged in his mouth is ball gag, and the words “¡RAPE TRUMP!" are displayed in large, bolded letters. Indecline, a collective of U.S. artists, spray-painted the mural in response to Trump’s speech in June of last year. "When Mexico sends its people, they're not sending their best...," Trump said when he kicked off his presidential bid. "They're sending people that have lots of problems, and they're bringing those problems with us. They're bringing drugs. They're bringing crime. They're rapists." This characterization of Mexican migrants as criminals and rapists is a derogatory generalization of those who may not share the assumed background. The Tijuana mural also includes directions to Trump Tower in New York City from the original location. It can be perceived as an offering to potential Mexican immigrants to fit into the description said by Trump to challenge his assumption.

TOW #14: The Son of Man by René Magritte

            Drawn by the same Belgian painter as “Man in the Bowler Hat,” the surreal 1964 painting “The Son of Man” was painted by René Magritte as a self-portrait. The scenery illustrates a man in an overcoat and a bowler hat standing in front of a short wall. Behind this wall depicts a cloudy sky and a horizon of a sea. The most curious aspect of this artwork is the hovering green apple in front of the man’s face, making his identity unknown. I’ve seen this painting in many social media platforms as part of a parody, featuring the same unidentified man (Magritte) and his face covered by inquisitive items. The mysterious aura this painting emanates was the element that sparked my initiative to delve further into the hidden meanings behind Magritte’s portrait.

            When asked about the message behind his decision to obscure the face of his self-portrait, Magritte responded, “Everything we see hides another thing, we always want to see what is hidden behind what we see. There is an interest in that which is hidden and which the visible does not show us.” Although his reasoning was relatively oblique and could be ambiguous in regards to how the public interprets his words, I could definitely understand Magritte’s attempt at drawing contrast between “the visible that is present and the visible that is hidden.” Maybe Magritte was fully aware of the human tendency to decipher meaning from essentially anything that aren’t direct in an attempt to better understand the person behind the work. His purposeful addition of a compelling factor of the green apple accentuates his depiction of conflict between what is seen and unseen.

TOW #13: When Breath Becomes Air by Paul Kalanithi

            Finishing the second half of When Breath Becomes Air was like completing a large project. I didn’t know what to spend my time with now. This book had consumed majority of my time although every minute that I invested was worth it. Kalanithi’s ability to display his most intimate and personal emotions into the pages was viewed highly by not only myself but also by many in the reading community. As he is a doctor, he is exposed to countless of individuals with similar cases as his. His exclusive perspective into the doctor who slowly degrades into a weak patient was an extremely intriguing foundation of his memoir.

            Kalanithi was a neurosurgeon who, due to his sudden diagnosis of lung cancer towards the end of his seven-year residency, began to shift into the position of a patient whom he had treated all his life. With this disease, he began to see his gradual transition from “doctor to patient, from actor to acted upon, from subject to direct object” (Kalanithi 180). He recalls his experience as a medical student, knowing nothing and often end up asking patients to explain their disease and treatments to him, but as he grew more experienced as a doctor, he never expected patients to make decisions themselves since he bore responsibility for the patient. And through his sickening body, he only now realized that he “was trying to do the same thing now, [his] doctor-self remaining responsible for [his] patient-self” (Kalanithi 182-183). His various viewpoints in the perspective of various roles that he played in the course of his lifetime aided in a book with a great amount of substance, giving a peek into the scenarios he found himself in. When he was taken off a drug that he shouldn’t have been, he consulted a young medical student about it. However, the inexperienced student began arguing with him, as he “could see that in Brad’s eyes I was not a patient, I was a problem: a box to be checked off” (Kalanithi 187). This is a specific example in which he got an insight into the minds of his fellow hospital mates and how they treat their patients as they got more and more experienced. Giving these various perspectives allowed Kalanithi to appeal to his audience, giving insight into the medical world that many do not know.

TOW #12: When Breath Becomes Air by Paul Kalanithi

            When I was finished with Carson’s Silent Spring, I felt drawn towards a nonfiction book with more of a storyline rather than the previous book’s evidence-driven layout. After surfing on the almighty Google search-engine, I encountered a book that had recently released in January of this year. In short, Kalanithi’s When Breath Becomes Air is a memoir focused around his diagnosis of stage IV lung cancer. At the young age of thirty-six with his ten years of neurosurgeon training almost at its completion and his wife pregnant with their first child, Kalanithi describes his journey of transitioning from a doctor to a patient holding onto his last breath. The book is divided into two chapters which symbolizes the “before and after” of his life after learning about his diagnosis. Although I’ve read only the first half of this memoir, I am completely absorbed in the story.

            Throughout Kalanithi’s recount of his personal life and events, he interweaves life lessons that he had learned from his experience in the medical field as a neurosurgeon. One lesson that had the greatest lasting impact on me was to follow my path. Although he had been meaning to pursue a career in literature in the future, Kalanithi decided to stray away from his undergraduate degree in literature at Stanford and graduate degree in philosophy at Cambridge to answer his “calling” in medicine. This was when he was studying the work of Walt Whitman for his thesis. After this assignment, Kalanithi realized that he was becoming “increasingly certain that [he] had little desire to continue in literary studies, whose main preoccupations had begun to strike [him] as overly political and averse to science” (40). Because of this sudden revelation, he became aware that “[he] didn’t quite fit in an English Department” (41). Although his decision meant that he had to set aside literature, he was satisfied with the idea that it would “allow [him] a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay” (42).

            Kalanithi’s late response to his true passion encouraged me to believe that my own “calling” will not arrive according to my will. This idea relieved me as I came to realize that I had been stressing about my impending future and my potential career. Instead of unnecessarily preoccupying my time into forging a “perfect” future, I decided to just let my curiosity lead me to wherever it may wish.

TOW #11: Ain't I A Woman by Sojourner Truth

            The first time I came across this monumental speech was when I was online shopping a couple of years ago, searching for a plain graphic tee. As I was scrolling the page of a shop that I’ve found myself revisiting countless times, I was confronted by a hit-you-in-the-face yellow shirt with an unrecognizable (at the time) quote that read, “Ain’t I A Woman?” Of course I had to buy it as I loved the rhetoric. Little Bo, as curious as she could be, had to know where this saying originated, and with a little research (quick search on Google), I doused myself in the short yet poignant delivery of words that still affects me today. As I have never really delved deeper into the meaning behind Truth’s purpose nor have I considered Truth’s audience, I was ecstatic when I was assigned her text to analyze.

            Sojourner Truth had delivered her speech to the Women’s Convention as she addressed her primarily female audience about the inequalities that both women and African Americans faced during the time period when slavery was prevalent. In order to make aware of the wrongs of gender inequality, Truth utilizes personal experiences and repetition of rhetorical questions. When a man claims that “women need to be helped into carriages, and lifted over ditches, and have the best place everywhere,” Truth juxtaposes his ignorant declaration by exclaiming that no one has ever performed these chivalrous manners for her, saying, “nobody ever helps me into carriages, or over mud-puddles, or gives me the best place!” As a subject of both minority being a black woman, Truth establishes her credibility by recounting her own experience in discrimination.

            As Truth spoke with anger and resentment, she repeated the increasingly impactful phrase, “and ain’t I a woman?” As I’ve mentioned before, this speech was delivered to the Women’s Convention, an event in which the audience were predominantly female. Taking this into account, she brought the rhythm of the repetition to a close with an explicit account of her life: “I have borne thirteen children, and seen most all sold off to slavery, and when I cried out with my mother's grief, none but Jesus heard me! And ain't I a woman?” By purposely ending this section with a lasting impression of her position as an African American woman in the midst of slavery, Truth was successful in relaying the immoral wrongs of inequality. As her audience were probably mothers with their own loving children, Truth allowed her audience to relate with her on a personal and emotional level.